Just realised I didn’t actually post this here. PS it isn’t actually this yellow in print.
Available now from all good stockists 🙂
Model : Chloe A
MUA : Meg Lindow
Hair : Alex B
Photography : Mark Ivkovic (Me 😉 )
I’m still here folks, just totally swamped at the moment. A quick heads up for any UK based readers that if you keep the above photograph in mind next time you head into a W H Smiths (or other large newsagents) you may discover why I’ve been a little quiet around these parts of late. No need to open the magazines this time (hint hint)
More on this maybe next weekend . . . . . . . . .
Charlotte P @ Nemesis
Thembi Mkandla MUA & Hair
Canon 5D mkii
EF 70-200 L
28 inch beauty dish via Bowens 500 very slightly off centre front and above. White reflector below.
A couple from a full day in the studio shooting four beauty looks Thembi and myself wanted to try.
It’s always fun to see how one girl can look so different from the moment she walks through that door in the morning to the shots we get.
This one I posted a teaser of a week back, so if you want to see how much reworking I do have a scroll back through the posts and compare . . . . .
I really really adore this photograph, I usually find myself with a feeling of almost disappointment when I show my final images, probably mainly due to my own very high expectations of myself. Sure I like what I create but I don’t LOVE it. From this shoot I think I’m closer to love.
“Whomever I’m photographing, I sort of fall in love with, or rather my camera falls in love with them. It could be a boy or a girl, because it’s all a fantasy. It’s fiction. […] I feel like there is a sense that you really have to love someone to photograph them. Not in an intimate sense, but I have to fall in love with someone with my camera to make really good pictures of them. It’s almost like I get hypnotized watching them.”
40mm f/2 Summicron-C
One of the shots from another shoot at Nemesis HQ.
Kate M after a once over from the brushes of Meg Lindow MUA.
Light provided by the easiest light source of all (sun) through a window giving a crazy mask of shadow and light.
Canon 1dii, ef35mm f2
LR3 & Nik Color Efex Pro (I think)
So I figured I’d write a little about inspiration again after a lack of insight from me of late.
What better way I thought than to explain the probable reasons behind me making this shot.
As photographers and especially those of us working with people (be that fashion, beauty, portrait . . . . ) we are walking on the shoulders of those who came before us. The greats of photographic history. We each are knowingly or unknowingly influenced by the photographers work we have seen. Be that Bailey, Avedon, Erwitt, Lange, Leibovitz etc etc. We’re delicately driven to create work that takes pieces from all those other photographs we have liked through our lives. As we become older and perhaps wiser we start to formulate our own ideas and style, yet even that is a blend of those who came before.
So to the photograph above.
I make sure to spend time each week working through magazines and website searching for images, photographs and other snippets of inspiring media. Of late I’ve returned to the work of Peter Lindbergh. His B&W fashion portraiture to me is of the highest quality and after spending years looking at his work I’m beginning to only now realise how I can try to encompass what it is I love about that work and his style into my own. His delicate use of film stock (Panchromatic and orthochromatic films which have differing sensitivity to blue and skin tones) the sense of vulnerability he manages to capture whilst still giving his subject power in the image. Here is a man who has the skill to take the beautiful person in front of his camera and transform them into something much more than that. I often say that anyone can take a pretty picture of a pretty girl in pretty clothes sat in some pretty light, it’s what else you can bring to that situation that marks out those with a passion for creating photographs that mean something from those who just want to take a nice picture.
So what’s my take away from todays impromptu lecture?
Think about what it is you are wanting to say with your photograph. You have your subject, are you simply going to document them like some fruit bowl still life or do you want to make something which tells a story and engages your viewer?
Maybe one day I’ll put a post up saying how I try and do just that but i think before then I’ll have to look hard and deep within myself to try and figure it out.
60’s inspired beauty look teaser. Still need a little post work but felt obliged to share a peek of todays work asap.
Charlotte P @ Nemesis Management, Manchester
Thembi Mkandla MUA & Hair
Canon 5Dii EF 70-200 L
28inch White Beauty dish via Bowens 500 & silver reflector (super close for softness) – Paramount lighting (clamshell).