Comparison – Leica M9 // Contax G2 Tri-X

Rock and roll model in street

Leica M9 – Konica Hexanon-M 50mm B&W Jpeg

Rock and roll model in street

Contax G2 – 45mm Zeiss Planar – Kodak Tri-X

I just had these two frames sat next to one another on the screen and found the comparison interesting. Not a million miles apart to be honest.

Leica M9, 50mm Konica Hexanon-M f/2 (iso320 @ f/2) – B&W in camera JPEG plus a little Lightroom tweak to get it how I like

Contax G2, 45mm Zeiss Planar f/2, Kodak Tri-X (@400 @f/2) – Developed in Kodak D76(1:1) then Plustek Opticfilm 7400i scan (not rescanned or cleaned hence drying marks)

ATQM (All The Queens Men) – Promo film from the Summer Campaign shoot.

Just thought I’d throw this one into the blog. Shot by the rather talented Mathew & Dominic during last weeks S/S campaign shoot for ATQM.

 

Enjoy.

 

ATQM – Spring / Summer 13 Belt Bag Collection from ALL THE QUEENS MEN on Vimeo.

I need no other reason

I need no other reason by bang*
I need no other reason, a photo by bang* on Flickr.

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#ilovemyleica

Leica M6TTL | Fujifilm ACROS

Hair & Make-up Artist – Helen Archer – www.nemesisagency.co.uk/models/creatives/helen-archer/4300/

Model – Natalie @ Nemesis

“Only In Your Truth Do I See My Lies”

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Visual poetry for your eyes. Fleeting metaphors of light and darkness frozen in silver for the ages”

Leica M6 / Kodak TMax

Leica on set | JimBagUK SS13 Campaign

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#ilovemyleica

A moment of clarity and calm amidst the hustle and flow of a fashion campaign shoot.

Leica M6TTL
CV 40mm f/1.4
Kodak TMax400 X-Tol 1:1 (Film lovers don’t hate me for the TMax, It was honestly all I had left in the fridge that morning)

Yes the eagle eyed amongst you may have noticed that the model number of my Leica has lost a couple of integers . . . . .
Bye bye M8.2 hello M6, hello LeicaLove. Only problem with it is it gets really really really cold when shooting outside in minus temps (I guess an all metal body will do that though, small price to pay for the pure pleasure that comes with creating photographs with it)

A rare reblog, mainly as it pretty much sums it up.

So every now and then I go off on a little rant about printing your work and the dangers of future proofing. Now I’m not wanting to open the whole digital / analogue debate for the millionth time, it’s been done to death, the industry is changing and we must change with it, what I’m talking about here is the history of it all.

My client work is pretty much always doomed to a short lifespan, such is the world of fashion, who really cares about it once the latest trend is over? Personal work however, to me this is my life in photographs. As we experience things in life we each have our own way of dealing with it and remembering it, some write a journal, others can live off the stories, me, I take photographs, I live life through a viewfinder. It’s just my way of remembering. However, what becomes of these “memories” in 10 or 20 years time?
I’ll leave it up to Christopher to put forward his thoughts – http://christopherwilockiphotography.tumblr.com/post/35083500099/i-am-done-with-photography

Now I’m certainly not “done” with photography, I in fact love photography. It’s just that like Chris I fear what we are going to leave behind (or not). My inspiration coming from my contemporaries such as Ryan Muirhead, Severin Koller, Luc Braquet. All these guys have a few things in common? Yes they all shoot film so yes there’s always going to be the Leica thing but apart from that they all revel in the process, they use their tools because they simply love using them. They get pleasure from not only making photographs but also the very means by which they do it. I’m pretty sure I’ve never felt that my Canon gear has inspired me, sure it makes the whole job easier but that isn’t really the point at all. 

“For me the film vs digital argument is not about the ability of the mediums to produce good images. For me it’s about how shooting film makes me feel. My Contax, and especially my Leica are inspiring to hold and look through. They make me want to shoot, to be more creative, to contribute to what has already been done with these amazing instruments.” R.M.

Again, I’m not saying film is “better” or “worse”, it also isn’t about the nostalgia. It’s about creating photographs in the way you wish to create them and with a tool which actually compels you to do so.

So I guess what I’m saying is just go back over the thousands of photographs you all took last year and print a few off and stick them on your wall, or in a shoebox or something. Just keep some to look back on one day.

Behind the Scenes | Educate & Elevate

So it’s been a long while since I’ve posted some behind the scenes video. Well for the E&E shoot we had a full on video crew filming for a little behind the scenes peek. I have to say the gang at Spotwork really pulled together one cool bit of BTS action.
So for those needing something to occupy 5 minutes or so click play and prepare to bob your head to the beat.

True Story



True Story, originally uploaded by bang*.

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Orthochromatic experimentation.
Super simple, super minimal, super captivating.
When you throw away all the gloss, the stylists, the couture, the stress and struggle, all that remains is that pure connection between two people and the moments in-between. Sometimes it’s nice just to let it all go.

Model : Artemis Fauna

Lighting:
70cm Beauty dish above and camera right (see catch light)

True Story

Triptych Series – Betty Banzai

Triptych Series – Betty Banzai, originally uploaded by bang*.

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A couple of firsts for the series. First female triptych and first one shot on film.
Betty B one of the leading lights of Hulls very own Roller Derby team, HARD, or Hull’s Angels Roller Dames.

Leica CL, 40mm cron. Kodak TMax (I was all out of TriX, don’t hate me for it).

If things line up (they already pretty much have) I’m set to add a good few more of these triptychs very soon. I’ve been warned that they will be of a “rather interesting and diverse” set of individuals. I’m very much looking forward to seeing what my good friend has signed me up too.

Analogue Prague



Analogue Prague, originally uploaded by bang*.

So you may have noticed it went a little quiet around here last week, that was due to me taking a long overdue break from it all. Nothing clears away the stresses from a photographers life like going to a new place and making . . . um . . . .photographs. Some may question why I didn’t just put the cameras down and take a full no photos break. Well to those who ask that I simply say making photographs is how I deal with the world, it’s what I do, it is essentially me. I journal, I collect, I make memories, I recycle light. Without it I fear what I may become, with it I feel I may express my vision of the world to those who may care to view it.
So with that said, to the trip.
I’d decided that it was going to be one of an almost zen like quality, I’d decided that I was only going to use film. To me this is unplugging, letting go of the instant gratification of digital, letting go of all the modern tech crammed into cameras these day to “aid” in our visual expression. What I had was what you see above.

A bag into which the following was poured each morning;

Leica CL
40mm f2 / 15mm f4.5
Holga 120
Lightmeter
Mucho mucho film for both cameras

Plus the needed everyday bits and bobs.

Analogue Prague

I managed to munch through a fair amount of the film I took with me (and almost panic bought some emergency Portra 400 when I stumbled upon a glorious find of a camera emporium). A little note on FotoSkoda, this is probably Pragues largest camera store (if not the whole Czech Republic) I’ve been in some pretty impressive stores before but this place was a proverbial gold mine of goodies, just a shame the exchange rate meant that the prices are higher than back home.

Anyway much fun was had and I’m currently waiting on a few more rolls being dev’ed and piecing together my collection for prints.
However to keep you wanting more here are a few likely candidates to make the final cut.

Pieces of Prague #3

Pieces of Prague #2

Pieces of Prague #1