I’m still here folks, just totally swamped at the moment. A quick heads up for any UK based readers that if you keep the above photograph in mind next time you head into a W H Smiths (or other large newsagents) you may discover why I’ve been a little quiet around these parts of late. No need to open the magazines this time (hint hint)
Always nice to throw a hair flick in now and then. Even more so after naming a light set up after her. “The Mol” is now a bit of a favourite in my bag of tricks and it’s all thanks to a Bowens light going up in smoke . . . . . . . .
“Whomever I’m photographing, I sort of fall in love with, or rather my camera falls in love with them. It could be a boy or a girl, because it’s all a fantasy. It’s fiction. […] I feel like there is a sense that you really have to love someone to photograph them. Not in an intimate sense, but I have to fall in love with someone with my camera to make really good pictures of them. It’s almost like I get hypnotized watching them.”
A couple of firsts for the series. First female triptych and first one shot on film.
Betty B one of the leading lights of Hulls very own Roller Derby team, HARD, or Hull’s Angels Roller Dames.
Leica CL, 40mm cron. Kodak TMax (I was all out of TriX, don’t hate me for it).
If things line up (they already pretty much have) I’m set to add a good few more of these triptychs very soon. I’ve been warned that they will be of a “rather interesting and diverse” set of individuals. I’m very much looking forward to seeing what my good friend has signed me up too.