So the winter slow down always gives time to spend time on those “other” projects I have. Some of you have have known of my work for a while will probably already know I make a lot more photographs than the ones I share on here. Some of you (one of you) likes to see the odd personal shot now and then, so I’ve decided to set aside a little space just for my “other” stuff. It’s random, but it’s an outlet for me to share the work which otherwise may not see the light of day.
Not enough sway is given to developing ones style these days. The current trend appears more equipment driven and not learning the craft, art and soul of photography. Style can not be bought, faked, copied or forced. It comes through practise, dedication to your craft and natural development through spending time learning to understand what photography means to you personally.
I would personally say that I’m only just beginning to notice my style surface, I’ve learnt the more I try to concentrate on it the further away I end up from it.
m. Miranda @ Nemesis
mua. Bekki Mitchell
sty. Zoey Hughes
M9, 50mm Summicron.
So I use the ilovemyleica hashtag alot (A LOT) so I’m guessing it goes without saying that I really do indeed love my Leica. Why? is often the question I get asked, I kinda of feel the photographs I create with it answer that question but perhaps that’s a little short sighted of me (and glib of me). So I’ve been thinking of a non fan boy / preachy way of explaining why it seems that the Leica M is the tool I’m happiest using.
Compared to many other cameras on the market the M9 loses when it comes to statistics and tech specs and all that dull fluff. To me that stuff is just noise and sales crap, I live with my cameras, day in day out. It’s how using the camera makes me feel, it’s how it allows me to connect with my subject, how it gets out of the way and just lets me create the photographs I want to create with it. I understand it and it’s ways and in return it rewards me with beautiful colour rendition and stunning clarity. It handles light so very beautifully, it inspires me to hunt out interesting light and interesting situations. It just gives me a connection and intimacy with my subject that all other cameras I’ve used can make a little more awkward. The M9 allows me to concentrate on signal (Zack Arias) the sheer simplicity of it, camera, 50mm lens, aperture, shutter dial, iso setting. No autofocus, no HDR, no auto, no super high iso, no zoom, no snake oil, no magic wand. It makes me work to create photographs and more importantly it makes me think. I helps me put something of myself into my work by simply letting me work.
So hopefully without sounding like a sales pitch that explains a little my feelings towards the M9. It’s no review, it’s simply a statement of my opinion of how I work with the Leica.
Perhaps another reason is how my assistant once put it “Perhaps it’s because it isn’t the accepted tool.” I kind of agree that despite using a 5D2, I really do get sick of the same looking images coming from the same cameras. Plus I’ve never been one to follow the crowd. The 5D2 is (at the moment) a vital tool in my bag, however it is gradually getting dusty.
Do I lust after the new M? To be honest not really, yesterday I shot at iso 1250 and the images are beautiful. Yes there’s noise but there is also feeling and emotion. The one and only thing about the new M I wish for is the shutter noise (sad I know)
Do I lust after a Monochrom? hmmmmmmmmm . . . . . . 🙂 I wouldn’t say no to one but for my work It couldn’t be a one or the other, I’d still use the M9 that has so captured my admiration.
Yesterday I had a HUGE moment of self realisation in my craft. For whatever reason it happened and I’m so very grateful for it. I’ll admit I was on the boundaries of my comfort zone yet I was creating photographs … Continue reading →
Time for a little personal note to the blog. It has been and still remains a busy Summer period, more work is being picked up by publications and some positive vibes coming my way from various outlets. So now is certainly not the time to take my foot off the pedal, I’m still going 100 miles an hour, only this time I feel it may not be a dead end track. It’s the passion that keeps me running with 4am starts and 12pm bedtimes, the love of my craft that sees me accepting commissions despite a full diary and the faith in my ability that sees me do this with a smile on my face.
Still with all that’s happening I still find that photography also acts as my way of dealing with the world around me and remembering it’s unseens and easily forgotten. Here are a few pieces from a couple of days down in London a few weeks ago. You’ll notice a heavy lack of people in the shots yet the feeling of human presence, this seems to be something I’m drawn to in my personal work lately without really looking for it.
It seems the blog is suffering from a lack of updates at the moment, mainly due to time pressure. Stacks of new work has been shot over the last month or so with much more in the coming months so I’ll pop things up when and where I can.
Here’re are a couple from yesterday, a hair shoot with Rick Roberts to produce his final collection for the National Hairdressing Awards. We shot earlier this year and it’s from those that he made it to the final, these are the ones that he will win or lose on. No pressure then . . . . . . .
Plus the moment in between the moments, one that won’t make the cut but I love it all the same.
A selection from the full set can be found here – www.bangphoto.co.uk/triptychs.
Currently in the process of setting up a place for the whole (current) set to reside.
Anyone looking back through the triptychs on here will notice missing numbers, worry not they’ve been shot just not everything makes it on here.
The full series as it stands only resides upon my harddrive. One day I’ll be happy enough with it to publish the full thing, until then you’ll have to make do with the odd snippet now and then.
So all has been a little quiet on the blog over the last month, sorry gang. It’s been a fairly busy one for me lately, numerous tests, agency meetings and a new look book shot for Educate Elevate has had me fully dedicated to ensuring clients receive images on time.
So I have plenty to pop up on here it’s just a matter of finding the time to flesh out some words to go along side.
That being said, here are a few teasers from a test I shot yesterday for Cliche new boy Darren. Having a background in acting certainly helped him get into the mood for this look.