Apparently in the Chinese language, the coinage of the characters Shoot, Shadow, and Master form the word Photographer. Light is what will make or break a photograph. So what the bloody hell is Chiaroscuro? well photography hasn’t really been around … Continue reading →
Time for one of those posts where I just dump a few photographs I’ve taken whilst roaming around. In between jobs, out running errands, walking the dog, on route to/from a commission, just popping around the corner to grab a coffee, the camera is always with me just to document the world I see. Sometimes I have mini projects in mind, other times I just see what the world serves me up (although generally I seem to find themes unifying what I create).
L I N E S | | | L I N E S | | |
Liverpool Spring 2013
York Spring 2013 – Lines & Lines & Lines of Light
Manchester Early Spring 2013 – Line for Control & Chaos
Time for a little aside, back to some personal work that used to be the norm around here. Time to take a breath or two and just let the world be seen a different way, a visual essay of a day of peace and solitude (with maybe a slight dream-like overtone).
Education from the street, life lessons served upon the bricks and mortar of our city.
The world old battle of light Vs dark, the subversive intrigue of the darkness and the signs that lure us in.
I see the way now, just a little further and the light can be found, everything seemed so clear then.
I start to feel the walls closing in around me, the nature of my organic self struggling to break free.As I stop for coffee all of a sudden the world takes on a twisted reality. . . . .
My vision begins to blur, I wonder what new trickery is a foot.
Daylight and Darkness combine to confuse my senses further, perhaps I’m in a dream but I see no way out.
See it’s not all good looking people and fabulous clothing on my blog, every now and then I break out a more personal piece of photographic creativity. After all that’s the whole point of it all, creating stuff, just plain old having an idea and creating something. No agenda, no wanting payment, just creating and sharing, such is the beauty of the internet the ease with which it can be done.
“Whomever I’m photographing, I sort of fall in love with, or rather my camera falls in love with them. It could be a boy or a girl, because it’s all a fantasy. It’s fiction. […] I feel like there is a sense that you really have to love someone to photograph them. Not in an intimate sense, but I have to fall in love with someone with my camera to make really good pictures of them. It’s almost like I get hypnotized watching them.”
One of the shots from another shoot at Nemesis HQ.
Kate M after a once over from the brushes of Meg Lindow MUA.
Light provided by the easiest light source of all (sun) through a window giving a crazy mask of shadow and light.
Canon 1dii, ef35mm f2
LR3 & Nik Color Efex Pro (I think)
So I figured I’d write a little about inspiration again after a lack of insight from me of late.
What better way I thought than to explain the probable reasons behind me making this shot.
As photographers and especially those of us working with people (be that fashion, beauty, portrait . . . . ) we are walking on the shoulders of those who came before us. The greats of photographic history. We each are knowingly or unknowingly influenced by the photographers work we have seen. Be that Bailey, Avedon, Erwitt, Lange, Leibovitz etc etc. We’re delicately driven to create work that takes pieces from all those other photographs we have liked through our lives. As we become older and perhaps wiser we start to formulate our own ideas and style, yet even that is a blend of those who came before.
So to the photograph above.
I make sure to spend time each week working through magazines and website searching for images, photographs and other snippets of inspiring media. Of late I’ve returned to the work of Peter Lindbergh. His B&W fashion portraiture to me is of the highest quality and after spending years looking at his work I’m beginning to only now realise how I can try to encompass what it is I love about that work and his style into my own. His delicate use of film stock (Panchromatic and orthochromatic films which have differing sensitivity to blue and skin tones) the sense of vulnerability he manages to capture whilst still giving his subject power in the image. Here is a man who has the skill to take the beautiful person in front of his camera and transform them into something much more than that. I often say that anyone can take a pretty picture of a pretty girl in pretty clothes sat in some pretty light, it’s what else you can bring to that situation that marks out those with a passion for creating photographs that mean something from those who just want to take a nice picture.
So what’s my take away from todays impromptu lecture?
Think about what it is you are wanting to say with your photograph. You have your subject, are you simply going to document them like some fruit bowl still life or do you want to make something which tells a story and engages your viewer?
Maybe one day I’ll put a post up saying how I try and do just that but i think before then I’ll have to look hard and deep within myself to try and figure it out.
web | blog | facebook
It’s only fair that someone facing the camera all day gets a triptych.
Thanks Chloe, I kinda had to pick this one with the hair.
Leica M8.2Voigtlander 50mm f/1.1 nokton
The crazy thing is I swear I didn’t do anything in post to her eyes other than a general B&W conversion (a la Mark). Great light & Blue / green eyes given an Orthochromatic style B&W conversion makes for some captivating peepers.
Plus a little peek of the shots from the Leica which got itself a good workout alongside the Canon today –
Voigtlander 50mm f/1.1 nokton