If I’d never seen the sunshine, I wouldn’t mind the rain

m. Miranda @ Nemesis
mua. Bekki Mitchell
sty. Zoey Hughes

#ilovemyleica.

M9, 50mm Summicron.

So I use the ilovemyleica hashtag alot (A LOT) so I’m guessing it goes without saying that I really do indeed love my Leica. Why? is often the question I get asked, I kinda of feel the photographs I create with it answer that question but perhaps that’s a little short sighted of me (and glib of me). So I’ve been thinking of a non fan boy / preachy way of explaining why it seems that the Leica M is the tool I’m happiest using.

Liiiines

Compared to many other cameras on the market the M9 loses when it comes to statistics and tech specs and all that dull fluff. To me that stuff is just noise and sales crap, I live with my cameras, day in day out. It’s how using the camera makes me feel, it’s how it allows me to connect with my subject, how it gets out of the way and just lets me create the photographs I want to create with it. I understand it and it’s ways and in return it rewards me with beautiful colour rendition and stunning clarity. It handles light so very beautifully, it inspires me to hunt out interesting light and interesting situations. It just gives me a connection and intimacy with my subject that all other cameras I’ve used can make a little more awkward. The M9 allows me to concentrate on signal (Zack Arias) the sheer simplicity of it, camera, 50mm lens, aperture, shutter dial, iso setting. No autofocus, no HDR, no auto, no super high iso, no zoom, no snake oil, no magic wand. It makes me work to create photographs and more importantly it makes me think. I helps me put something of myself into my work by simply letting me work.
So hopefully without sounding like a sales pitch that explains a little my feelings towards the M9. It’s no review, it’s simply a statement of my opinion of how I work with the Leica.
Perhaps another reason is how my assistant once put it “Perhaps it’s because it isn’t the accepted tool.” I kind of agree that despite using a 5D2, I really do get sick of the same looking images coming from the same cameras. Plus I’ve never been one to follow the crowd. The 5D2 is (at the moment) a vital tool in my bag, however it is gradually getting dusty.

Do I lust after the new M? To be honest not really, yesterday I shot at iso 1250 and the images are beautiful. Yes there’s noise but there is also feeling and emotion. The one and only thing about the new M I wish for is the shutter noise (sad I know)

Do I lust after a Monochrom? hmmmmmmmmm . . . . . . 🙂 I wouldn’t say no to one but for my work It couldn’t be a one or the other, I’d still use the M9 that has so captured my admiration.

Truth.

Yesterday I had a HUGE moment of self realisation in my craft. For whatever reason it happened and I’m so very grateful for it. I’ll admit I was on the boundaries of my comfort zone yet I was creating photographs … Continue reading

Undone

Undone by bang*
Undone, a photo by bang* on Flickr.

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m. Katie

h. Rick Roberts

mua. Meg Lindow

Ph. Assistant. Michael Storey

Leica M9

50mm Summicron

It seems the blog is suffering from a lack of updates at the moment, mainly due to time pressure. Stacks of new work has been shot over the last month or so with much more in the coming months so I’ll pop things up when and where I can.

Here’re are a couple from yesterday, a hair shoot with Rick Roberts to produce his final collection for the National Hairdressing Awards. We shot earlier this year and it’s from those that he made it to the final, these are the ones that he will win or lose on. No pressure then . . . . . . .

Between
Plus the moment in between the moments, one that won’t make the cut but I love it all the same.

#48 Triptych Portrait Series – Seun @ Cliche

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A selection from the full set can be found here – www.bangphoto.co.uk/triptychs.
Currently in the process of setting up a place for the whole (current) set to reside.

Anyone looking back through the triptychs on here will notice missing numbers, worry not they’ve been shot just not everything makes it on here.
The full series as it stands only resides upon my harddrive. One day I’ll be happy enough with it to publish the full thing, until then you’ll have to make do with the odd snippet now and then.

LEica M9, 50mm ‘cron.

Darren | Cliche

Darren | Cliche by bang*
Darren | Cliche, a photo by bang* on Flickr.

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Stills from the movies of my mind.

m. Darren @ Cliche Management

Leica M9, 50mm Summicron Type V.

So all has been a little quiet on the blog over the last month, sorry gang. It’s been a fairly busy one for me lately, numerous tests, agency meetings and a new look book shot for Educate Elevate has had me fully dedicated to ensuring clients receive images on time.

So I have plenty to pop up on here it’s just a matter of finding the time to flesh out some words to go along side.

That being said, here are a few teasers from a test I shot yesterday for Cliche new boy Darren. Having a background in acting certainly helped him get into the mood for this look.

www.bangphoto.co.uk Teasers from a test shoot.

http://www.bangphoto.co.uk
Teasers from a test shoot.

#47 Triptych Portrait Series | EDUCATE ELEVATE

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A selection from the full set can be found here – www.bangphoto.co.uk/triptychs.
Currently in the process of setting up a place for the whole (current) set to reside.

This one is really veering off brief but with those colours I really had to step out of the monochrome.

Shot during the recent EDUCATE ELEVATE campaign, coming real soon.

www.educateelevate.com/

Oh and the bike, that’s a one off Globe x Malarky x VNA collaboration – verynearlyalmost.com/dev/2012/07/vna-x-malarky-x-globe-bi…

Leica M9 – 50mm Summicron V