How I got the shot.

So I thought I’d do a little inside knowledge / behind the shot post. I’ve taken a shot from this weeks mens fashion soot and I’m going to go through the thought process / direction given on set to achieve the final image. Ignoring lighting, cameras, settings, all the technical stuff, this is plain and simple “getting the shot” once all the other stuff is done.

I do get a number of folk asking about this kind of thing, I guess it’s one of the parts that you can’t learn from just looking at a final image, you need to live the experience and moment to know “how” it went down. So here’s a sequence of image of Jamie, a new face from J’adore Model Agency in Manchester. Hair by Laura & Ria Kulik at The Hair Bank, grooming by Laura Gibb MUA and wardrobe styling by the rather gifted Paula McNamara.

Contact sheet of photographs from a menswear fashion shoot. homme

Contact sheet of photographs from a menswear fashion shoot. Homme

What you see is the actual progression of the images from this section of the shoot. Nothing taken out or cropped etc. this is exactly how and what I shot. The final shot used is the one circled in blue, the others marked are the “got it” shots, the ones where I felt I got what it was I wanted.

So you’ll see the first idea was a full profile with the hands up in front of the face, I explain the “starting point” pose and get the first shot. From here I wanted a little more going on in the space in between Jamie and his arms so asked him to pick up the pendant around his neck and use that. You’ll see the pendant then drops to a perfect position to mirror his arms. This is close but I want to see more of his face, “Head to me Jamie” head turns to me and we are super close. He instinctively dropped his chin”Stronger eyes” BANG! Nailed it. Now the transition without missing a beat the energy is good and I know we’re golden right now. “Bite the pendant” his arm is out of frame, “Bring the right arm back” arms look messy, “switch hands” close, “Give it the bad boy rock star treatment” almost, “Head to me more” Slight zoom to crop “Attitude!” BANG. “Okay take a quick breather everyone, Jamie shake it out and let’s move into the next shot sequence”.

Here I’ll have a quick check on the monitor to confirm my feelings that we got it, quick sip of water/coffee and get moving on to our next shot.

How long did that take from the first to the last shot? Well I checked the EXIF data and shot one is timestamped 14:17:30 and the last shot is 14:18:58. So a minute and a half…. Like I say when it’s golden you go with the energy that flows. Also what that doesn’t tell you is it took me 2 hours to set up the studio, hair / make-up / wardrobe about the same. Plus the behind the scenes chat and build up, it’s not just a matter of the model stepping in front of the camera and this happening, we’ve already met, had a chat, had a giggle or whatever. The connection has already been worked on so that by the time it comes to us working here the flow is easy and natural. Not to mention our other 6 models

So there you go, I won’t pretend it’s easy because it takes hustle and experience to get to this point but it may act as a little insight into how shoots go down for me and what the interaction can be like. It gets to a point where for me it’s instinctive, I don’t stop everything and think about how I’m going to make it perfect in one shot. I set it up close and then let things fall into place organically. For me it works.

male model monochrome fashion editorial photograph

Final selected shot.

Falling For Grace

double page editorial fashion story

Editorial bad girl Grace @ Cliche Model Management. Cutting loose on our latest shoot.

 

double page editorial fashion story

Editorial bad girl Grace @ Cliche Model Management. Cutting loose on our latest shoot.

Grace is one cool customer when it comes to playing the part we create for her. This time was no exception, with her look and my kind of style we decided that we’d create a piece full of emotion and rage juxtaposed against the “pretty” fashions of Spring / early Summer. Simple styling, fresh colourful make-up, bright & punchy lighting. Something like if the Gap did a collaboration with Motley Crue……..

Realisation . . . .or “When your style creeps up on you”

 

Leica M2 | Zeiss 35mm Biogon-C | Kodak Tri-X

Leica M2 | Zeiss 35mm Biogon-C | Kodak Tri-X

 

Not enough sway is given to developing ones style these days. The current trend appears more equipment driven and not learning the craft, art and soul of photography. Style can not be bought, faked, copied or forced. It comes through practise, dedication to your craft and natural development through spending time learning to understand what photography means to you personally.

I would personally say that I’m only just beginning to notice my style surface, I’ve learnt the more I try to concentrate on it the further away I end up from it.

If I’d never seen the sunshine, I wouldn’t mind the rain

m. Miranda @ Nemesis
mua. Bekki Mitchell
sty. Zoey Hughes

#ilovemyleica.

M9, 50mm Summicron.

So I use the ilovemyleica hashtag alot (A LOT) so I’m guessing it goes without saying that I really do indeed love my Leica. Why? is often the question I get asked, I kinda of feel the photographs I create with it answer that question but perhaps that’s a little short sighted of me (and glib of me). So I’ve been thinking of a non fan boy / preachy way of explaining why it seems that the Leica M is the tool I’m happiest using.

Liiiines

Compared to many other cameras on the market the M9 loses when it comes to statistics and tech specs and all that dull fluff. To me that stuff is just noise and sales crap, I live with my cameras, day in day out. It’s how using the camera makes me feel, it’s how it allows me to connect with my subject, how it gets out of the way and just lets me create the photographs I want to create with it. I understand it and it’s ways and in return it rewards me with beautiful colour rendition and stunning clarity. It handles light so very beautifully, it inspires me to hunt out interesting light and interesting situations. It just gives me a connection and intimacy with my subject that all other cameras I’ve used can make a little more awkward. The M9 allows me to concentrate on signal (Zack Arias) the sheer simplicity of it, camera, 50mm lens, aperture, shutter dial, iso setting. No autofocus, no HDR, no auto, no super high iso, no zoom, no snake oil, no magic wand. It makes me work to create photographs and more importantly it makes me think. I helps me put something of myself into my work by simply letting me work.
So hopefully without sounding like a sales pitch that explains a little my feelings towards the M9. It’s no review, it’s simply a statement of my opinion of how I work with the Leica.
Perhaps another reason is how my assistant once put it “Perhaps it’s because it isn’t the accepted tool.” I kind of agree that despite using a 5D2, I really do get sick of the same looking images coming from the same cameras. Plus I’ve never been one to follow the crowd. The 5D2 is (at the moment) a vital tool in my bag, however it is gradually getting dusty.

Do I lust after the new M? To be honest not really, yesterday I shot at iso 1250 and the images are beautiful. Yes there’s noise but there is also feeling and emotion. The one and only thing about the new M I wish for is the shutter noise (sad I know)

Do I lust after a Monochrom? hmmmmmmmmm . . . . . . 🙂 I wouldn’t say no to one but for my work It couldn’t be a one or the other, I’d still use the M9 that has so captured my admiration.

Darren | Cliche

Darren | Cliche by bang*
Darren | Cliche, a photo by bang* on Flickr.

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Stills from the movies of my mind.

m. Darren @ Cliche Management

Leica M9, 50mm Summicron Type V.

So all has been a little quiet on the blog over the last month, sorry gang. It’s been a fairly busy one for me lately, numerous tests, agency meetings and a new look book shot for Educate Elevate has had me fully dedicated to ensuring clients receive images on time.

So I have plenty to pop up on here it’s just a matter of finding the time to flesh out some words to go along side.

That being said, here are a few teasers from a test I shot yesterday for Cliche new boy Darren. Having a background in acting certainly helped him get into the mood for this look.

www.bangphoto.co.uk Teasers from a test shoot.

http://www.bangphoto.co.uk
Teasers from a test shoot.

Tony | Cliche – Editorial

Tony | Cliche - Editorial by bang*
Tony | Cliche – Editorial, a photo by bang* on Flickr.

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#ilovemyleica

Tony @ Cliche Model Management

Sorry old blog of mine it seems i’ve been neglecting you a little of late. Lots has been happening, plenty of new material shot, a good few irons in the fire coming up plus I’m starting to form a plan of where the second 50 Triptychs are going to take the project (once I get to 50 that is).
So for now you’re just going to have to make do with lots of beard as I splurge a little from this one. Currently formulation an editorial piece from it so enjoy.

Tony @ Cliche

Tony @ Cliche | Editorial p. 5

ATQM (All The Queens Men) – Promo film from the Summer Campaign shoot.

Just thought I’d throw this one into the blog. Shot by the rather talented Mathew & Dominic during last weeks S/S campaign shoot for ATQM.

 

Enjoy.

 

ATQM – Spring / Summer 13 Belt Bag Collection from ALL THE QUEENS MEN on Vimeo.