Very early select from the weekend in London.
Linn @ Profile Models
Told you I’d been out and about in between my hectic shoot schedule of late. Here’s a little of the personal work I’ve neglected posting for a while.
Sometimes you have to stand out from the crowd in order to reach for the sky.
Leica M8.2 40mm f/2 Summicron
Kris D | Nemesis Management wears Kooples.
Photography | Mark Ivkovic
Lighting gubbins –
“Big Beaut” on the Bowens (ie my 28 inch UFO of a Beautydish) positioned camera left to give lovely Loop lighting. Maybe I’ll do some lighting set ups on here one day to explain what I mean by all my Paramount / Rembrandt / Loop / Split light. Or maybe that’ll just get added to my list of things to do for the blog when I finally find some time for them. All good intentions and that.
I’m having a kind of love hate relationship with white seamless at the moment. Nothing inspires me less than looking at that big ol’ expanse of white in the studio and thinking “What the hell different can I do today”. Then If I’m lucky I get a model who gets what it is I want from them and isn’t afraid of cutting loose. I’m pretty sure I never shoot it to be pure white as it bugs me seeing my subject floating in a sea of nothing, I prefer a little density to my background. That expanse of nothing just removes all context and with that makes a meaningful photograph that much more of a struggle. It’s a little like watching a movie but with the whole set being a plain white space (kind of like the bit in the matrix where they’re in the loading program). Then on the flip side I really revel in what that means to my creative process, every little move of camera or light is amplified in effect, there isn’t any room for sloppiness as you can’t rely on an interesting background making up for an oversight or lack of composition. It means I need to get more out of my subject, I need movement or feeling or to really be in the moment. My subject is as an important part of the creative process as anyone else on set. Without connecting with the model in some way your photographs are going to be dead and without interest.
This is your set and the photographs you create come down to how you handle all the aspects of it.
Wow, went off on one then. This was going to be a quick and simple post. Thanks to all those who take the time to comment or simply click the “like” button. It’s appreciated and kind of keeps me popping posts up during these busy times.
Yeah my studio playlist really is a little bit of a rollercoaster.
We have Rock ‘n’ Roll Ray Charles on the left and somber, emotive classical with Max Richter on the right.
Got to keep them guessing.
Kris D @ Nemesis Manchester
40mm f2 Summicron (left f/5.6, right f/2)
Just going to check if folk want to know the tech details of shots or not, If I leave them out I always end up getting email asking how I light stuff but I’m not really sure it helps too much.
They’re coming thick and fast at the moment.
Another quick teaser from one of the latest.
Scott L @ Nemesis – (www.nemesisagency.co.uk/models/new-faces/men-new-faces/sc…)
Techy stuff –
Sigma 50mm f/1.4
LR3 / VSCO / PS
A rare day off for me tomorrow, so i figured I’d leave you with something to look at over the weekend.
More edits coming next week with another couple of shoots scheduled before I head down to London for the BIG weekend shooting.
Best prepare you RSS readers for blog post overload.
So I posted a first draft of this concept on my facebook page last night, after a night of sleep to think it over I came to the decision to rework it a little.
Think I prefer this version, has more the feel I wanted to portray.
Sarah B | Nemesis
Lisa Ray | MUA & Hair
Mark Ivkovic | Photography